Courtney Pine - Restaurant Tables, London

Courtney Pine biography

While classified as a jazz musician, Courtney Pine melds a wide variety of influences into his music. The saxophonist and clarinetist has deftly incorporated reggae, electronica, hip-hop, funk and Eastern sounds into his boundary-defying repertoire, working alongside luminaries in each genre. Pine began performing professionally as a teenager, forming the hard-bop outfit Dwarf Steps. From there he toured and recorded with reggae artists General Saint and Clint Eastwood. Pine told Down Beat that his nontraditional, eclectic approach was largely influenced by early exposure to renegade saxophonist Sonny Rollins. "If I'd heard Charlie Parker first, I might have felt alienated," he said. "But Sonny Rollins was playing something I could understand: calypso! He was like my uncle! That sucked me into the music completely!" With Rollins and legendary saxophonist John Coltrane as influences, Pine began participating in jazz workshops with drummer John Stevens, and soon joined the jazz ensemble of Rolling Stones' drummer Charlie Watts. He went on to tour with pianist George Russell and drummers Elvin Jones and Art Blakey, and led his own small outfits, including the World's First Saxophone Posse. Pine set out to promote the work of black British jazz musicians, and formed Abibi Jazz Arts in 1986. The workshop yielded the Jazz Warriors, an all-black big band that included Pine. Pine released Devotion on the Telarc label in 2004. He plays a wide variety of instruments and also programs loops on the album, which features a broad tableaux of styles and revisits Pine's interest in Eastern sounds. Included are such artists as members of Transglobal Underground and Young Disciples, as well as tabla luminary Yousuf Ali Khan. Pine told the Verve website that his mission is to redefine notions of jazz. "It's not just about playing the saxophone anymore," he remarked. "Critics wanted to present me as a student of Rollins and Coltrane but it goes beyond the saxophone. If somebody's telling you that you can't step outside the jazz room then that's wrong. I feel I come from outside the jazz room anyway. What gives me a buzz is when somebody hears my music and hears the different elements at play and says 'I didn't know jazz was like that.'"

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