FAADA FREDDY concerts in Europe

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Chaplin’s bowler hat on top of thick dreadlocks, striped opera hats and white shirts like a Prohibition-era Untouchable: undoubtedly, Faada Freddy has his own style, a mix of old-style chic and the attire of a ghetto’s rude boy. Looking cool and zazou gives him a street dandy cachet, and it also sets the tone of Gospel Journey, his first album, elegant and stylish, ageless yet furiously modern. As’, who produced Imany’s first album (platinum album in France and in several European markets), produced this quite singular and purely vocal album. The songs effortlessly cover several territories, some of which aren’t exactly neighbors: soul, worship songs, a capella R’n’B, fresh folk, unplugged rock, all united under a single banner, the deep and omniscient voice of Faada. A voice that is assuredly one of the purest, warmest and most melodic among the up and coming talents of 2015. Along with this deep diving, the album accomplishes another feat: virtually all the songs are covers of contemporary songs from very diverse styles: soul, R’n’B, folk, punk, indie rock… Letter To The Lord, from Cameroon’ Irma, Truth from USA’s Alexander, punk band Rise Against’s Generation Lost, The Lonely Forest’s We Sing In Time, Imany’s Sleep Down, Let it Go from Senegal’s Wasis Diop, Little Black Sandals from Australia’s Sia, The Death of Me from Canada’s City & Color or Lost from USA’s Grace: a fine selection of titles that become reborn under a cleaner, purer aesthetic approach. In addition to the covers, the album also includes Reality Cuts Me Like A Knife, an original composition from Faada, as well as an old title of Daara J, Borom Bi. The result goes beyond pure style, even if it is reminiscent of other similar vocal endeavors such as Bobby Mc Ferrin, Björk, Fredo Viola, or Camille.